Book Report on Rick Riordans The Battle of The Labyrinth

In half Human Camp, semi-god has nothing more than danger. Percy Jackson is the son of Poseidon, the mother of those who escape death. He attends summer camp every summer. When old rival Luke discovers the power of the maze, Percy and his friend Cyberg's Anabel and Tyson have to get off the maze. Before Luca, they had to find the maze, creator of Daedalus. In addition, Rick Ridan's wonderful writing and wording adventure novel The Battle of the Maze is an important complement to this series of books directly related to Greek mythology. A non-standard book by Rick Riordan, an unusual pandava quartet by Rick Riordan. Apollo mentioned Indra, but Dionysus said he had fought with Brama in the past, but I did not know if the following applies to them outside the Pandawa Quartet. They are different from other semi-gods. Some of them have gods / goddesses as father / mothers and humans as other parents. But Pandavas is a reincarnated version of the Pandava brothers in particular. They do not have God as their literal parents, but God helped to create their souls. But these are just Pandawa, the other half of Hinduism is customary. Percy Jackson and Olympic athletes are a series of fantasy / adventure stories by Rick Riordan published by the Disney Hyperion book for children. There are five books in the series. Lightning Thief, the sea of ​​the monsters, the curse of Titan, the battle of the maze, and the final Olympics. The series started in The Lightning Thief in 2005 and ended in The Last Olympian in 2009. These books speak the story of the son of 12 year old Percy Jackson and Poseidon. Percy and friends Grover and Anabes have to accept his tradition and help to prevent the huge Cronos from getting too much power.

Art and Fashion Essay Example | Topics and Well Written Essays - 1000 words

Art and Fashion - Essay Example The essay "Art and Fashion" focuses on the fashion designs and Elsa Schiaparelli. Schiaparelli’s well known designs in regard to fetish, gender and sexuality, were feminine and functional and at the same time maintained the theme of Surrealist of the woman body as fetish. Schiaparelli is well remembered for working together with Salvador Dali and through their work, Surrealist work become animated and also gained life. Through working together with Dali, Schiaparelli took fashion out of the closet, turning it into dressing with attitude. Dali had much respect on the way Schiaparelli’s designs were able to bring out physical revelation to the fantasies of the insensible mind. In addition, Dali had respect on Schiaparelli’s ability to come up with a form of feminine beauty matching to male’s erotic imagination. The materiality of dressing, when used as an adornment of the body, turned Surrealist work into visual fashion, and fashion gave way for the creation of well-designed pieces out of extraordinary or ordinarily less useful objects. These facts form a basis for the explanation of why Dali and fellow Surrealists had much attraction to haute couture. One issue that is worth considering is that a majority of Schiaparelli’s work has become a key contributor in clothing design, but, unfortunately, her contribution goes unrecognized. However, Schiaparelli in collaboration with Dali managed to bring Surrealism to life, animating paintings and changing art into wearable and functional element. Schiaparelli was well aware that clothes and accessories had the ability to function as an extension of a woman, enabling women to change their personality and make a choice of what they intend to become. Apart from collaborating with Dali, Schiaparelli also collaborated with other Surrealists such as Oppenheim, Giacometti, Aragon, Fini, and Triolet in making jewelry and perfume containers and clothing. In addition, Schiaparelli's personal col lections were also thematically Surrealist (Baudot, 2006). Different from the long-term Coco Channel whose pieces of work continue to bloom, the House of Schiaparelli has not managed to achieve such stable popularity. In the same breath, Schiaparelli’s pieces of art have not been able to trigger a fabulous deal of significant analysis compared to Coco channel (Peacock, 1993). Therefore, Schiaparelli’s contributions in the fashion industry are yet to be fully acknowledged. Many have dismissed Schiaparelli’s contributions on grounds that they are derivative and others accusing her of stealing other people’s ideas. The 2007 V&A even staged fashions by Schiaparelli, but this was one of a few exhibitions that staged her work. Therefore, finding exhibitions with Schiaparelli’s work remains extremely rare and the last exhibition that had an exclusive devotion to her work took place in September 2002 and January 2003 at the museum of art in Philadelphia (W ood, 2007). Contrary to what is mentioned above, there were a number of publications on

History of Indian art Research Paper Example | Topics and Well Written Essays - 1250 words

History of Indian art - Research Paper Example 2000 years ago the Indian sub continent came under the rule of the Kushans and during this period we see the first images of Buddha in stone and plaster. These sculptures were made for shrines and monasteries in the Gandhara region and the city of Mathura in Uttar Pradesh. The sculptures particularly from Gandhara show a distinct Hellenistic influence which involves naturalistic depiction of human body, rich draperies that define the rounded shape of the body, symbolic postures, use of Halo behind the head and clear hand gestures like meditating, teaching and protecting. Buddha’s face is shown with expressions of tranquility and inner satisfaction. He has clearly modeled fish shaped eyes, straight nose, elongated earlobes and curly hair tied in a bun. Gandhara region also shows sculptures of Buddha as a royal figure with moustache, flowing hair, adorned with jewelry, dressesd in robes and sandals with clarity of facial expression. Apart from free standing sculptures of Buddha, we also find reliefs showing Buddha along with his devotees in meditation, scenes of sermon, and stories from the life of young Buddha, female Yakshi figures along with Buddha. 3 Central Indian temples are also known for their depictions of sexual scenes in sculptural reliefs of couples known as Mithunas. We often find these Mithunas in various Indian temples showing love making scenes since it was regarded as a divine practice. The women are always shown with full breasts, narrow waist and ample hips adorned with bangles and necklaces. 3Short essay on the Sculpture of Gupta age One of the most prominent sculptures of North India is the Lion Capital of Ashoka, Sarnath and it gives a hint of the grandeur of Mauryan Empire. The Kushana kings encourage the gandhara artists to make sculptures of Buddha’s life and jatakas. Excavations also show mythical figures and animals like atlantes, tritons, dragons and sea serpents. Sculptures are also decorated with acanthus, laurel and vi ne, Indian motifs, lion heads and lotus petals. Though we now see representation of Buddha in human form but still him symbolic interpretation was used alongside in the form of white elephant, boddhi tree, lotus flower, bull, chakra etc. We also find many sculptures of the highly adorned Bodhisattvas or Buddha as a prince before Nirvana. Gupta style: The Gupta style is said to have no foreign influence but is purely Indian in nature and existed during the time of Gupta dynasty 4th century AD. During this period sculptures flourished in aesthetics and accuracy. The prominent names sites for Gupta sculptures